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Cannes 2021 / Directors’ Fortnight

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35 articles available in total starting from 25/05/2021. Last article published on 02/08/2021.

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Review: Returning to Reims (Fragments)

Review: Returning to Reims (Fragments)

CANNES 2021: A true silversmith of the archives, Jean-Gabriel Périot dissects the intimate and political history of the French working class by adapting a Didier Eribon essay  

11/07/2021 | Cannes 2021 | Directors’ Fortnight

Nathalie Álvarez Mesén • Director of Clara Sola

Interview: Nathalie Álvarez Mesén • Director of Clara Sola

“We have definitely raised the volume when it comes to addressing the patriarchal side of religion”

CANNES 2021: The director shares some of her thoughts and memories from a journey that started years ago in both Costa Rica and Sweden  

11/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: The Tale of King Crab

Review: The Tale of King Crab

CANNES 2021: This atypical fiction film debut by Alessio Rigo de Righi and Matteo Zoppis is an ironic revisiting of the western genre intertwining Italian and South American legends  

11/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: Magnetic Beats

Review: Magnetic Beats

CANNES 2021: A creative mix of genres, set at the time of independent radio stations, Vincent Maël Cardona’s first feature depicts the youthful passion of two united but highly dissimilar brothers  

10/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: Murina

Review: Murina

CANNES 2021: In her feature debut, Antoneta Alamat Kusijanović takes her characters out for a swim  

10/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: The Souvenir: Part II

Review: The Souvenir: Part II

CANNES 2021: In the second part of Joanna Hogg’s semi-autobiographical tale, Honor Swinton Byrne’s Julie comes of age and dons a pair of fabulous silver trousers  

10/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: A Chiara

Review: A Chiara

CANNES 2021: Jonas Carpignano closes his “Gioia Tauro trilogy” with a film halfway between documentary and fiction that centres on a young girl in a criminal family  

09/07/2021 | Cannes 2021 | Directors’ Fortnight

Emmanuel Carrère • Director of Between Two Worlds

Interview: Emmanuel Carrère • Director of Between Two Worlds

“The film has a social aspect, but also a hitchcockian element”

CANNES 2021: The famous novelist once again turned filmmaker decrypts his free adaptation of the book by Florence Aubenas, which opened the Directors’ Fortnight  

09/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: The Hill Where Lionesses Roar

Review: The Hill Where Lionesses Roar

CANNES 2021: Luàna Bajrami delivers a fine first feature, fresh and full of punch, about three girls who metamorphose into a pack of thieves in order to escape the destiny already drawn out for them  

08/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: Clara Sola

Review: Clara Sola

CANNES 2021: Nathalie Álvarez Mesén offers up a candid coming-of-age tale with strong doses of magical realism under an illuminating Nordic spotlight  

08/07/2021 | Cannes 2021 | Directors’ Fortnight

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